The Life of a Demoniac

What I thought would be a human handing a chair to the person making repairs in the bathroom turned out to be a demon. He was captured on video just an hour ago, walking into the room that connects to the bathroom wearing what, at first, looked like a towel, but what is actually akin to the saffron robes worn by the Hindu religious elite: A still frame from the video showing a demon bringing a chair into the bathroom The video yielded three solid—and two less-so—still frames showing the demon's face. In those frames, his face appears to be in a state of transition, morphing from 2-D (or flat, which is the dimensions all demon possessing a textile assume) to 3-D: Only a portion of the demon's head is visible as he emerges from the towel-like robe he wore, which was likely morphing from flat to round His head is revealed in full about halfway through the clip showing the demon's face, which is made quite unique by an unusually large cranial cavity Stretching upward

Over three years ago, a hobgoblin demon suddenly emerged from my apartment floor, right in front of where I sat, and then ran into an adjacent wall where she disappeared somewhere beneath its surface [ see VIDEO TIMELINE | Maskless Hobgoblin Demon Springs From Floor ]; and, tonight, two green orbs did the same (disappear into a wall, that is) except that one came from the ceiling and the other from my ear: At the time of the hobgoblin's intergalactic lane change, I speculated that the verticality of walls in opposite relation to floors somehow had a connection with hyperdimensional portal transfers (exiting one portal and segueing into another). Having seen many a transfer, it was a good guess. Unfortunately, it remains so after all this time. Why the wall and not the window? Or the ceiling again? Where does a wall lead? How do you know which wall to go through? are a few of the most obvious questions people would generally ask, but I'm more interested knowing about t

This post outlines a quick and easy image-processing technique that can be applied to digital media saturated with color noise called chroma ,  which is a consequence of the EMF interference to CCD sensors in digital cameras by the cloaked state of demonic entities and cloaked equipment. A still frame taken from a video made in semi-darkness during a period of high demonic activity reveals the skin texture of an inner demon The challenge is to find cloaked entities and equipment using an image-processing technique that works for all chroma-saturated images, one that can be applied across multiple images (such as frames in a video) without requiring manual adjustments to each. In short, that amounts to developing a technique that sharpens the chroma in an image while maintaining its original saturation and hue, as well as its overall brightness, which is no small feat. Graphics designers and all others who work with images struggle with overblown brights and colors to one part o