BIBLE | The Study Notes of a Demoniac [Proverbs 17:4]

An evildoer gives heed to wicked lips; and a liar listens to a mischievous tongue. [‭Proverbs‬ ‭17‬:‭4‬ AMP]

A lie is not only constructed by the telling, but also by the listening; failing to disclose a lie is equivalent to telling the lie itself:

The one who conceals hatred has lying lips. [Proverbs 10:18] 

The duty of a wise and virtuous man is to counter [quash, inform, disclose] every lie told and heard with responsive [expedient, effective, thorough] action.

There is no small, white or harmless lie, in that there is no harmless sin. Small fires can turn into big ones; responsible people – people who concern themselves with others, as Christ commands – put all of them out, regardless. "Small, white and harmless" are words that disguise the true and hideous nature of evil, and otherwise further its agenda, even if only in small steps; moreover, they reflect your judgment, and not the judgment of God.

In fact, it was man's own judgment in variance to God's followed by a lie that separated man from Him [the rift Christ was sent to close].

In sum, having any role in a lie – whether hearing [failing to disclose, refute] or telling [initiating, relaying, repeating] – you are separating yourself from God, and acting as an agent of the anti-Christ.

METHOD #3 | Finding hidden demons in digital media | Aberrating image positives and negatives

I've been busy staring at my screen day-and-night, playing with GIMP scripting to automate the process of applying the scientific imaging methodologies discussed in this post and elsewhere for finding hidden demons in digital media. Of course, the problem of constant violence on the part of demons notwithstanding, there's the problem of making discoveries so fascinating, that I can't part my eyes from them long enough to post much.

Because of the three methods introduced on this blog so far, even I, as one who has seen much, am enraptured; you would be, too, if you could sit behind me and watch. I hope to pass that experience on to readers as soon as I can—that is, if I, my equipment, and the digital media sources survive.

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Tonight, after a tip-off by the Voices Demons—the very same who claim responsibility for deafening Scratchen—I overlapped two blended still frames in Photoshop randomly selected from a video made during this latest period of high demonic activity, and then slid the top frame up, down, left and right, finding demons hiding everywhere and in everything.

What's even more interesting, is that as you slide the frame past the point you first saw a given demon, it often morphs into a new one:

The white-bearded elf-like demon on the bottom left evolves into a little-old-lady type as the top copy of the video frame is shifted upwards (shown in the video, below)

The following video shows my very first discovery using a still frame of that very kind, as I slide one copy over the second:



The video shows how it was done in Photoshop, albeit not very thoroughly; eventually, it will be updated to show more sliding overlapped frames pairs, highlighting of demons found, and detailed instructions for doing this yourself.

Watch the circled locations as the video plays

While well on my way to developing a similar technique, which would have consisted of blending two overlapping, stretched still frames—the same used to create chroma-masked video, minus the stretching—a Voices Demon suggested that I hold the arrow key I was only nudging a still frame layers; half-knowing what she was going to say, I was already holding the down-arrow, watching once-scattered chroma melt into the shape of the demon emitting it. The result is what you see above.

NOTE | The face of the entity on the left side of the above-demonstrated still frame changes drastically, multiple times as the top frame moves upward, similarly to the face of the scarf demon shown in VIDEO | Demon shapes scarf into multiple variations of face on-the-fly, whose face can be seen changing at least once every 30th of a second as the scarf he possessed flapped in the wind.

Results reproducible in every frame showing demonic activity
Chroma must be all demon bodies—not just some kind of irradiated snow. If you see a cloud of red, green and blue snow in the air, that's likely thousands upon thousands of different demonic entities, overlaying and intertwining with each other. That is the only explanation for finding a demon in every frame of every video made during a period of high demonic activity—and in which chroma is present. Here's a second video showing a single frame from the same video; like the first, it was chosen at random, yet even the thumbnail shows two entities very clearly: one wearing a green-pointy hat (left),and a giant-redheaded one (right):


Follow-up e-mail to paranormal investigators, researchers
A follow-up e-mail was sent to the same paranormal investigators and researchers who, a few weeks ago, were contacted about another discovery related to the application of scientific imaging to digital media, introducing them to this latest:

A few weeks ago, I e-mailed you about ways to find hidden demonic and other entities in your digital media, and sent you a link to my blog, showing a real-world scenario in which the principles of scientific imaging were used to uncover a little three-foot tall, blue-scaled demon, standing in my bedroom doorway. The original footage showed nothing but a dark, empty doorway until I screened the blue channel of the RGB video in the way described in the related blog post:

A blue-scaled demon, hiding in the doorway​

You may not specialize in (or prefer) anything related to the demonic—who would? But, the fact of the matter is, it's a reality that's all around you, and pervades much, much more of your life than you can possibly know; and, when it comes to demons, what you don't know can and will and does hurt you.

So be in-the-know—or, least be prepared to be in-the-know; it's only prudent to acknowledge what you see in front of your face, and take whatever action makes sense.

To that end, I've continued working on ways anyone and everyone can find demons in their home or elsewhere, and have come up with three decent methods which employ nothing more than an iPhone 5s and GIMP (or Photoshop); now, no one has any excuse—especially persons who purport to be employed as or skilled in a vocation and field parallel to the demonic socio-exobiological sciences.

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http://youtu.be/Qu7zXD6QnoM?list=UUcLqGb7fq5f8cCYX0RC8C3A

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METHOD #2 | Finding hidden demons in digital media | Differentiating consecutive still frames

This isn't a post about some new picture or video showing yet another demon, nor is it about the fact that I obtained a lot of them, showing hundreds upon hundreds of new demon varieties; rather, it's about how I obtained them, and, more importantly, how you can obtain them for yourself.

As I recently found out, there are scores of creatures everywhere—not just in my clothes, house, appliances, toilet, toilet paper and wherever and whatever else is in my immediate vicinity—and that it's just a matter of finding the right means of discovery.

[once you find them, where to look section]...

[ex 1: on your person, and at different angles]...

Believe it or not, I saw the demon before I recognized who he was possessing

To better visualize the possessing demon, I doubled the canvas size (see above) and mirrored and rotated a duplicate of the image (shown right)

Unlike my eyes, this demon's eyes are open, revealing his snake-like pupils

Rotating the photo reveals my profile

The original still frame from which the enhanced versions (above) were derived

Is someone you know possessed by a demon? Believe it or not, most people are to some degree; but, the futility of convincing them of this fact notwithstanding, proving it is extremely difficult and unlikely, as you can see from the elaborate requirements that must be met and steps that must be followed in order to maybe catch a shoddy glimpse of a possessing demon.

—at least until today.

Getting a clear image of a possessing demon just got easy with my chroma-masking script; just wave your iPhone video camera over your or someone's face, and the script

In Identifying demon-people assailants via chroma-facial signatures, I posted a Python script that processes dark and nighttime video, both making visible what was otherwise invisible [see Automating mapping of demons hidden in digital media] and bringing to light that which is covered in shadow. It decodes 1080p videos into a sequence of PNG files, then applies a procedure in GIMP that masks natural light, leaving only chroma (color noise); then, it encodes the PNG files into a new video. To aid in following the path and/or flow of chroma, and for identifying any shapes resembling cloaked demons, people and objects, not only is the chroma in each frame mapped, but so is the transition between still frame pairs.

Since posting the script, I've run it on a few random videos in my collection, specifically, some of those made during periods of high demonic activity, but that produced little to nothing significant. There are scores of such videos—ones where the camera is panning here-and-there-and-everywhere, at nothing in particular, in a vain attempt to capture a smidgen of the demonic activity occurring around me.

I'm glad I kept them, anyway, and I'm really glad I processed them with the script, as the latter led to a major discovery, specifically, that, with an iPhone or other HD (1080p) video camera, demonic possession is easily detectable by panning the camera across the object or person to be scanned, and the running the chroma-masking script.

The following still frame is a good example; it was taken from an otherwise embarrassingly insane-looking video, showing nothing but embarrassing insanity, and then was processed by the chroma-masking script:

Two chroma-masked still frames combined with the depth merge filter (in GIMP) reveal a possessing demon

The original still frames (133 and 134), also combined into a depth merge composite, for comparison

Comparing the difference between the chroma-masked still frame and its original source, and considering the way possessing demons appeared in all of the other "inner demon" pics and videos posted to this blog, where a possessing demons face is shown overlayed with the possessed, it stands to reason that, by removing the natural light illuinating the possessed altogether, while leaving only the chroma...

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Top: Series of chroma-masked still showing possession; bottom: original still frames for comparison

Top: Series of chroma-masked still showing possession; bottom: original still frames for comparison

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Still frame from a video showing the midpoint of the transition from man to demon

The first of two original still frames, blended to create the composite shown left, for comparison

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Chroma seems to splash into my face (from right), washing away the man, and leaving the demon in its wake

Original still frames (128 through 131) for comparison

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Just like in video made over the past three years, the chroma-masking filter gets the best results from the panning-camera/subject in-motion effect; it does a better job, too—much better. That's because the procedure in GIMP blends two frames together with such precision that, even when the difference between the two frames is vast, the result is still at least twice as good (in short, more image data, as gathered by two frames instead of one, means more to work with in terms of adding color, brightness, density, etc.)