TECHNOLOGY | Opening eyes while being blinded

Note from September 3rd, 2015
This post contains screenshots of my work from awhile back, as I determine what image-processing techniques work best for digital media showing demonic activity. The headline intimates that this work will lead to a preventative cure for blindness, which demons—and demons alone—cause by detecting them in their attempt using the same CCD image sensor found in digital cameras.

I meant to say more when I originally wrote this post (like in so many of my posts); but, I got caught up in the success of my work, and eloquent prose took a back seat to finding ways to help people keep their eyesight.

That, and what I would have said then, I've pretty much said by now.

Separating the demon from the man

CHANNEL MIX | Red: -70; Green: +200; Blue: -30 (Photoshop)

The original...

CHANNEL MIX | Red: -70; Green: +200; Blue: -30 (Gimp)

More separating the demon from the man (Another note from September 3rd, 2015)
As often happens, while looking for one thing demonic, I find another, as shown in the following images. I was looking for cloaked entities in and around the eye, but found a way to render my inner demon's skin texture—and, might I say, in exquisite detail:

Yet another note from September 3rd, 2015
I'm not sure where I was going with this at the time (my original notes follow, though, if you'd like to try and figure it out), but—again—exquisite rendering of demon skin in these. They still take my breath away...

After processing a portion of video made during a period of high demonic activity using a variant of one of the filters already posted to this blog, new evidence of clandestine surgical operations was discovered in this still frame:

A new video filter that hilites demons in possession of humans revealed more than another face, but also a black groove above and across my right eye

The groove is clearly the scar from a surgical incision of some kind

I can feel the groove over my eye with my hand, but, of course, cannot see it without a chroma-saturated environment and a digital camera...

Final note from September 3rd, 2015
So, the rest of this had a point, but, it's probably lost on most people. For one, there's nothing a human can do, per se, with the information I intended to present; and, they probably wouldn't do anything with it, even if they could. So, no further effort will be made here for now; still, enjoy the pics, if you can make any sense of them.

Blending color channels of processed still frames
Subtract frame2-blue from frame1-green to detect clandestine bodily mutilation
# Subtract frame2-green and frame1-green from frame1-red to detect non-demon possession
                        # Subtract frame2-blue from frame1-green to detect demonic possession
text:

Processed sample 1 | My face, caked with sucker demons [see ]; my left eyelid, peeled back from my eyeball

Original sample #1 contains nothing shown in the processed sample, right, but, a close examination of the chin does show sucker demons

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#!/usr/bin/env python import gimpfu #access constants from gimpfu import * from os import listdir from os.path import isfile, join def tweenchroma(*args): mypaths = [args[0]] included_extensions = ['jpg','bmp','png','gif' ]; for mypath in mypaths: included_extensions = ['jpg','bmp','png','gif' ] ; images = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; layers = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; del layers[0] for i, j in zip(images, layers): try: if i.lower().split(".")[-1] in ("png", "jpg"): if j.lower().split(".")[-1] in ("png", "jpg"): image = pdb.file_png_load(mypath + i, mypath + i) # pdb.gimp_display_new(image) # Create first frame (background copy) drawable = pdb.gimp_image_get_active_drawable(image) frame1 = pdb.gimp_layer_new_from_drawable(drawable, image) pdb.gimp_image_add_layer(image, frame1, 0) # Create low-pass layer for frame1 frame1_low_pass = pdb.gimp_layer_new_from_drawable(frame1, image) pdb.gimp_image_add_layer(image, frame1_low_pass, 0) # radius = pdb.gimp_image_width(image) / 160 pdb.plug_in_gauss(image, frame1_low_pass, 6.75, 6.75, 0) # Subtract frame2-blue from frame1-green to detect clandestine bodily mutilation # Add a layer copy of frame1_low_pass green channel frame1_green_channel = pdb.gimp_channel_new_from_component(image, 1, "frame1 green channel") frame1_green_layer = pdb.gimp_layer_new_from_drawable(frame1_green_channel, image) pdb.gimp_image_add_layer(image, frame1_green_layer, 0) pdb.gimp_item_set_visible(frame1_green_layer, 0) pdb.gimp_layer_set_mode(frame1_green_layer, 0) # Modify frame1 for use as the first half of the tween frame pdb.plug_in_colortoalpha(image, frame1, (0, 0, 0)) pdb.gimp_layer_set_opacity(frame1, 50) # Set background to black as fill for alpha black in frame1 gimp.set_foreground((0,0,0)) pdb.gimp_drawable_fill(drawable, 0) # Create second frame (load from file) frame2 = pdb.gimp_file_load_layer(image, mypath + j) pdb.gimp_image_add_layer(image, frame2, 0) # Create low-pass layer for frame2 frame2_low_pass = pdb.gimp_layer_new_from_drawable(frame2, image) pdb.gimp_image_add_layer(image, frame2_low_pass, 0) # radius = pdb.gimp_image_width(image) / 160 pdb.plug_in_gauss(image, frame2_low_pass, 6.75, 6.75, 0) # Add a layer copy of frame2_low_pass blue channel frame2_blue_channel = pdb.gimp_channel_new_from_component(image, 2, "frame2 blue channel") frame2_blue_layer = pdb.gimp_layer_new_from_drawable(frame2_blue_channel, image) pdb.gimp_image_add_layer(image, frame2_blue_layer, 0) pdb.gimp_item_set_visible(frame2_blue_layer, 0) pdb.gimp_layer_set_mode(frame2_blue_layer, 8) # Modify frame2 for use as the second half of the tween frame pdb.plug_in_colortoalpha(image, frame2, (0, 0, 0)) pdb.gimp_layer_set_opacity(frame2, 50) # Create a tween frame (new-from-visible) framet = pdb.gimp_layer_new_from_visible(image, image, "Tween") pdb.gimp_image_add_layer(image, framet, 0) # Enable color channel-layers pdb.gimp_image_raise_item_to_top(image, frame1_green_layer) pdb.gimp_item_set_visible(frame1_green_layer, 1) pdb.gimp_image_raise_item_to_top(image, frame2_blue_layer) pdb.gimp_item_set_visible(frame2_blue_layer, 1) # Subtract frame2-green and frame1-green from frame1-red to detect non-demon possession # Subtract frame2-blue from frame1-green to detect demonic possession # TO-DO: Frequency separation; invert and Overlay low-pass; Burn high-pass; new-from-visible; # disable high-pass; cycle blending modes # Overwrite frames + save tween tween_file = pdb.gimp_image_get_filename(image).lower().split(".")[-2] + "b" + ".png" pdb.file_png_save_defaults(image, pdb.gimp_image_flatten(image), tween_file, tween_file) # pdb.file_png_save_defaults(image, pdb.gimp_image_get_active_drawable(image), frame1_file, frame1_file) # frame2_file = pdb.gimp_image_get_filename(image).lower().split(".")[-2] + "a" + ".png" # pdb.file_png_save_defaults(image, pdb.gimp_image_get_active_drawable(image), frame2_file, frame2_file) # Flush display and delete image # pdb.gimp_displays_flush() pdb.gimp_image_delete(image) except Exception, error: print error break tweenchroma("/Users/jamesalanbush/Desktop/hilitechromatestvids/test0870/") <textarea> <br /></div>

Channel mixer: "Infrared" #!/usr/bin/env python import gimpfu #access constants from gimpfu import * from os import listdir from os.path import isfile, join def infrared(*args): mypaths = [args[0]] for mypath in mypaths: included_extensions = ['jpg','bmp','png','gif' ] ; images = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; layers = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; del layers[0] for i, j in zip(images, layers): try: if i.lower().split(".")[-1] in ("png", "jpg"): if j.lower().split(".")[-1] in ("png", "jpg"): image = pdb.file_png_load(mypath + i, mypath + i) # pdb.gimp_display_new(image) drawable = pdb.gimp_image_get_active_drawable(image) pdb.plug_in_colors_channel_mixer(image, drawable, 1, -0.700, 2.000, -0.300, 0, 1, 0, 0, 0, 1) white_layer = pdb.gimp_layer_new(image, pdb.gimp_image_width(image), pdb.gimp_image_height(image), 0, "fill", 100, 5) pdb.gimp_image_add_layer(image, white_layer, 0) gimp.set_foreground((255, 255, 255)) pdb.gimp_drawable_fill(white_layer, 0) pdb.gimp_layer_set_mode(white_layer, OVERLAY_MODE) pdb.file_png_save_defaults(image, pdb.gimp_image_flatten(image), pdb.gimp_image_get_filename(image), pdb.gimp_image_get_filename(image)) pdb.gimp_image_delete(image) except Exception, error: print error break return infrared("/Users/jamesalanbush/Desktop/testvids/test3/")

BIBLE | The Study Notes of a Demoniac [Isaiah 44:18-20]

This post is part of a weekly series of Bible study notes entered in the Bible app on my iPhone. Past posts include:

• BIBLE | The Study Notes of a Demoniac [Isaiah 30:18]
• BIBLE | The Study Notes of a Demoniac [Proverbs 17:4]
• BIBLE | The Study Notes of a Demoniac [Proverbs 17:5]

Sometimes, they're good; other times, incomplete. Nevertheless, they balance the picture falsely portrayed here, specifically, one the opposite of my distaste for evil, as well as the demons and people who perpetrate it.

NOTE | Occasionally, I've posted Bible-related posts to this blog that are far more thorough than the notes. A good example is BIBLE | Fighting the Good Fight: How a demoniac fights like a Christian.

I don't know how it could come across to anyone that I like demons; yet, in spite of the fact that I'm clearly hard at work at developing ways for anyone and everyone, anywhere and anytime to detect cloaked demonic entities and their weaponry, I get the occasional, "You're obsessed," or, "How did you get into hunting demons?"

Perhaps it's the occasional image of me when possessed by a demon, like these:

Two still frames taken from a video of me made during a period of high demonic activity after processing by one of my in-development video filters, which remove natural light, and enhance CCD-image data imprinted on digital camera sensors by demonic radiation (i.e., EMF interference); the slit (snake) eye is not mine, nor are any of the other features on this face

Either way, this particular misperception is not what I consider the biggest problem, as far as misperceptions go. The biggest—by far—is disbelief. That's the point of the decloaking those who would "hide right in front of [our] faces."

Anyway, to the actual note, which is still in progress, and which will be updated as I develop my understanding of the passage presented:

A wise servant shall have rule over a son who causes shame, and shall share in the inheritance among the brothers. (‭Proverbs‬ ‭17‬:‭2‬ AMP)

You are not entitled by right or privilege to any provision or blessing that God grants or gives. Either use them wisely [effectively, efficiently] and in accordance with [to the benefit of] His will or lose His favor to those less able.

What do you ask God for? (Things that you expect to come anyway? Things you'd be angry at God without?) How many of your extra things make it into the hands of the needy? (How many needy people do you know? How many do you pray daily for?) How many uses to those in need have the things you pray for? Do you ever pray for knowledge? (God grants that prayer to even sinners, so with what knowledge will you ask God provision you to accomplish His will? How about that extra degree for a job that will put you in a more tenable position to help others?)

If these question don't cross your mind daily, and if such prayers have never been offered, you do not have the Christ mind. Identify with Christ by doing the work he would have done; get to the root of the problems you're fighting. Get to know the people you're helping, and find out why God loves them enough to concern His Son with their plight.

(DRAFT) VIDEO/TECHNOLOGY | Improving visibility, clarity of videos showing "talking demon heads"

I'm still writing; still putting together materials. Some videos I'm processing have over 10,000 still frames; and, some of those have at least three—if not more—demons in them...at all four angles. What's more is, in order to process them for improved visibility, you have to customize a procedure specifically adapted to the demon in the image. As already stated on this blog, most demons horde, and therefore, their features overlap.

One way demons distinguish themselves from each other visually is by shifting the color their reflect in order to differentiate themselves from their partner (what makes it hard to spot them is the way they alter individual qualities of color (hue, luma, chroma, saturation, lightness, value or what-have-you; while the hue of a given demon may differ from the demon next over, its lightness or saturation may match perfectly. At first glance, it's hard to tell them apart; and, even when it's easy, the differences between them completely alter the procedure for enhancements.

The other way they make a distinction in appearance is by differentiating their size. Sometimes, if you look closely at a giant demon head in an image, you will find it is made of three smaller ones, although to find them, you may have to rotate the image as many times.

That leads me to the third distinction: orientation. Each still frame must be rotated 360° in order to see all of the demons in an image. Given that fact, you have quadrupled the amount of work involved in skimming still frames for demons; at 10,000 with at least 3 demons, four ways (0°, 90°, etc.), equals 70,000 possibilities. It's hard to pick one, and it's hard to stop at even 70,000. They are as unique as snowflakes, and just as ornate in appearance.

I'll post images to demonstrate each method of distinction aforedescribed shortly; but, it's late, I'm injured, and would like to rest, if possible. Enjoy what I have so far, though...

The video this post will eventually talk about is still rendering, even as I sit here and write. Normally, I would wait until everything is ready to be published all at once before introducing a new post; but, occasionally, if the topic itself warrants immediate attention, as it does a lot with respect to demons, and if about half of what is ready to publish is sufficient to carry the topic, then I may decide even a half-post like this one will interest readers enough to visit the same post at least twice (once before it's ready, and again afterwards).

In this case, it was the still-frame rendering samples generated by the image-processing script I wrote to improve video showing the talking demon heads that pop-up during periods of high demonic activity on video. They are everywhere wherever I am, and I have tons of footage of these always stationary and mostly immobile talking demon heads, going back as far as three years ago.

Until now, have never found an occasion to post any of them for several reasons (one notable exception being my talking bedspread, as shown in VIDEO TIMELINE | Blanket Demon of My Youth, Face-to-Face).

For one, whenever they appear—which is always and only during a period of high demonic activity, they take a passive (inactive) role in the melee that ensues; they neither engage me or anyone (or anything) I talk to in conversation, nor seem take any interest in me or the going-ons. In fact, they seem quite oblivious to the world around them (although I think that's how demons avoid rudeness by the appearance of nosiness—no one will suspect or worry that you're listening in on their conversation or watching what they are doing if you act like you can't see or hear anything but yourself. Demons are very sensitive to social gaffes, of which there are a possible many, due to the fact that demons cluster [explain; link to post about shared consciousness in hordes], and privacy is at a premium as it is. I wasn't told that this is what it is, but it's the best educational guess one could make, and follows the same format for all the other rules demons have, but people don't.

Secondly, unless you're viewing a video showing one of them on the device that made it, you can't make them out very well; not only do they always appears in low-light settings, glowing dimly, but they are nearly always a recognizable pair of eyes, lips and a nose, while anything else goes.

Showing such videos to an audience with display devices with black points set anywhere but near yours, and with creatures in them they've never seen before, and could barely make out even if they have...

[mouth blurs on video due to EMF radiation emanating from demon; you can't hear them usually, unless you know how; the rate of speech is far, far faster than human normal, requiring a great deal of mental effort to hear and communicate (I usually fall asleep in about five minutes after talking to a demon that speaks like these talking heads do).

I accidentally ran the wrong script, and didn't notice until the first several still frames of the video were processed by it (it was a script used for another video, written about a week or so ago); however, surprisingly, I got better results with it than the script I wrote specifically for the video:

The first 8 still frames of the subject video, processed by a video filter intended for a completely different video, twice, looks far better than those processed by the video filter designed for the subject video

text.

Following are the original and the product of the script I wrote specifically for this video:

Original, unedited still frame from the subject video

Same still frame, processed by the video filter originally engineered for the subject video

The script originally written for the subject video:
#!/usr/bin/env python import gimpfu #access constants from gimpfu import * from os import listdir from os.path import isfile, join gettext.install("gimp20-python", gimp.locale_directory, unicode=True) def hilite(*args): mypaths = [args[0]] for mypath in mypaths: included_extensions = ['jpg','bmp','png','gif' ] ; images = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; for i in images: try: if i.lower().split(".")[-1] in ("png", "jpg"): image = pdb.file_png_load(mypath + i, mypath + i) # pdb.gimp_display_new(image) frame1 = pdb.gimp_image_get_active_layer(image) drawable = pdb.gimp_image_get_active_drawable(image) fill_layer = pdb.gimp_layer_new(image, pdb.gimp_image_width(image), pdb.gimp_image_height(image), 0, "fill", 100, 5) gimp.set_foreground((255, 255, 255)) pdb.gimp_drawable_fill(fill_layer, 0) value_layer = pdb.gimp_layer_new_from_visible(image, image, "value") pdb.gimp_image_add_layer(image, value_layer, 0) pdb.plug_in_normalize(image, value_layer) pdb.gimp_curves_spline(value_layer, 0, 6, [0,0,127,95,255,255]) pdb.gimp_desaturate_full(value_layer, 1) pdb.gimp_layer_set_mode(value_layer, VALUE_MODE) frame1 = pdb.gimp_image_get_active_layer(image) pdb.plug_in_wavelet_decompose(image, image.layers[0], 10, 3, 0, 0) pdb.gimp_layer_set_mode(image.layers[2], OVERLAY_MODE) pdb.gimp_layer_set_mode(image.layers[3], HARDLIGHT_MODE) pdb.gimp_item_set_visible(image.layers[1], FALSE) for x in range(4, 8): pdb.gimp_item_set_visible(image.layers[x], FALSE) pdb.gimp_layer_set_mode(image.layers[8], GRAIN_MERGE_MODE) pdb.gimp_layer_set_mode(image.layers[9], GRAIN_MERGE_MODE) pdb.gimp_item_set_visible(image.layers[10], FALSE) filename = pdb.gimp_image_get_filename(image) pdb.file_png_save_defaults(image, pdb.gimp_image_flatten(image), filename, filename) # pdb.gimp_displays_flush() pdb.gimp_image_delete(image) except Exception, error: print error break return

This is the script that I accidentally ran—twice—on the video, which produced (I think) better results:
#!/usr/bin/env python from gimpfu import * from os import listdir from os.path import isfile, join gettext.install("gimp20-python", gimp.locale_directory, unicode=True) def echo(*args): mypaths = [args[0]] for mypath in mypaths: included_extensions = ['jpg','bmp','png','gif' ] ; images = [fn for fn in listdir(mypath) if any([fn.endswith(ext) for ext in included_extensions])]; del layers[0] for i, j in zip(images, layers): try: if i.lower().split(".")[-1] in ("png", "jpg"): if j.lower().split(".")[-1] in ("png", "jpg"): image = pdb.file_png_load(mypath + i, mypath + i) # pdb.gimp_display_new(image) frame1 = pdb.gimp_image_get_active_layer(image) drawable = pdb.gimp_image_get_active_drawable(image) frame_overlay = pdb.gimp_layer_new_from_drawable(frame1, image) pdb.gimp_image_add_layer(image, frame_overlay, 0) pdb.gimp_layer_set_mode(frame_overlay, OVERLAY_MODE) pdb.gimp_invert(frame_overlay) pdb.gimp_desaturate_full(frame_overlay, 1) pdb.plug_in_gauss_iir2(image, frame_overlay, 15, 15) pdb.gimp_curves_spline(frame_overlay, 0, 6, [0,0,127,255,255,127]) pdb.plug_in_normalize(image, frame_overlay) pdb.plug_in_wavelet_decompose(image, image.layers[0], 10, 3, 0, 0) pdb.gimp_layer_set_mode(image.layers[2], OVERLAY_MODE) pdb.gimp_layer_set_mode(image.layers[3], HARDLIGHT_MODE) pdb.gimp_item_set_visible(image.layers[1], FALSE) for x in range(4, 8): pdb.gimp_item_set_visible(image.layers[x], FALSE) pdb.gimp_layer_set_mode(image.layers[8], GRAIN_MERGE_MODE) pdb.gimp_layer_set_mode(image.layers[9], GRAIN_MERGE_MODE) pdb.gimp_item_set_visible(image.layers[10], FALSE) filename = pdb.gimp_image_get_filename(image) pdb.file_png_save_defaults(image, pdb.gimp_image_flatten(image), filename, filename) # pdb.gimp_displays_flush() pdb.gimp_image_delete(image) except Exception, error: print error break return

Video reveals hundreds of demons, demon people participating in ritual acts of torture

Processing a year-old video made during one of the hundreds of anger management rituals with my new chroma-filtering video-processing scripts (see below) shows the participation of thousands of demons and their people in these around-the-clock campaigns of harassment and torture, which sometimes last for up to a week.

In one of the more recent of these, a giant hole was ripped open inside my armpit, as shown in VIDEO | Hole opens in left armpit [see also Clandestine surgical mutilation uncovered via demonic-activity video filter]; in another, certain body members were detached, and then reattached [see PIC | Penile mutilation inadvertently discovered in video]. During the latest, demonic radiation was poured from a wall adjacent to my bed, as shown in VIDEO/PICS | Sucker demons buzz camera, poisoning by radiation (finally) captured on video, something I now know to be more frequent than previously.

A passing motorist's inner demon is revealed by my video-processing script, just like the nighttime assailant in TECHNOLOGY | Identifying demon-people assailants via chroma-facial signatures; the backseat is packed with same

The January 2014 video that is the subject of this post was made on a light rail ride through San Jose while pointing my iPhone 5s out a window. In its original form, it reveals nothing out of the ordinary; however, after processing, there is hardly a frame that doesn't have at least three—if not a dozen—chroma-masked demonic entities, some in possession of trees, buildings, utility poles and, of course, people.

In this still frame: a wailing demon, in the upper-left corner, which looks like its wearing stage make-up

From it, I have a much larger sample of demon blending and hiding and dwelling places, which will help determine which demons are found where; it will also help me determine the extent of their fourth-dimensional abilities, and, consequently, their power, influence and standing in their—and our—world. 

This can be determined, in part, by how (and how often) a demon blends with its surroundings (the more complex, the more powerful the mind). Some of the specific factors include:

• Size of the demon's presence. Some demons use a couple of leaves and twig or two of a tree; others manufacture a face out of the entire tree. More powerful demons can fashion the facade of an entire building into their likeness; those even better use layers of objects in the scenery that only reveal their presence when viewing at a specific distance and angle. Those particular demons can even predict when and where a viewer will be, and arrange to be seen only by that viewer while posing in such a complex configuration. It is usually the same demons and demon varieties that do this; and, now, a definitive connection between a demon's power and its propensity towards evil is beginning to form.
• Frequency of sightings. Numerous or consistent appearances by the same demon may indicate who directs or leads other demons and their people. Demons have hierarchies and structures, and they have names and lives. It is their ability to govern, manage, motivate and rally others—multiple species of others, no less—that makes their evil minds all the more dangerous. Therefore, knowing who and where they are is important.

The video is viewable on any mobile device on which the VLCStreamer app is installed, as described in TECHNOLOGY | Demonic-activity video stream; tween-frame video filter:

Instructions for accessing streaming video showing demonic activity are provided in TECHNOLOGY | Demonic-activity video stream; tween-frame video filter

In it, there are over 1,500 still frames, many of them showing demons and/or demonic activity of some kind:

Viewing the still frames individually reveals scenes of breath-taking proportions; viewing the video, not as much

You can view each still frame on Flickr; and, you can preview the video on YouTube later tonight.

Other videos showing demons and the light rail can be seen in VIDEO | Cloaked demons rushing light rail car during anger management ritual.

Nearly all videos show thousands of demons
Depending on how you process the video, you could literally see thousands of demons in just one minute of video...:

Coming up...
The video also proves various physics theories pertaining to light, which speculate as to how invisible demons are made visible under certain conditions, and why shooting video from a moving train is an integral part of those conditions; more on that later tonight.

VIDEO/PICS | Sucker demons buzz camera, poisoning by radiation (finally) captured on video

Two years ago, I took a gander at how sucker demons fly in SCIENCE | Sucker demons fly like some fish swim; now, I may find out for sure; plus, proof on camera of demonic radiation flooding my bedroom at night, a significant, yet unacknowledged, part of the around-the-clock physical torment.

Sucker demons are tiny, and demonic radiation is mostly transparent; so, as with all videos posted to this blog, set the playback quality of the one in this post to 720p—and no less—keeping in mind that this won't always be necessary, thanks to incredible advancements in the image-processing filters now being developed that highlight fast-moving, semi-transparent demonic activity in nighttime and in-the-dark videos, as shown in the next post, .

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Guessing as to how a demonic worm oscillates its body in such a way as to afford it flight is coming to an end, thanks to the recent—and inadvertent (but most welcome)—acquisition of video close-ups of sucker demons as they buzzed my video camera late last night. With just a little bit of image-processing, still frames like the following may reveal exactly how these snakes slither:

Local, midtone contrasting within the highlights range of luminance to still frames like these...

...might show exactly how sucker demons oscillate their bodies in order to fly

This is the first and only video suggesting new opportunities for advancements in the science of exobiology specific to a single species in quite awhile. In other videos, such as the one shown in VIDEO | Sucker demons launched into home by demons, their people, the sucker demons either fly too fast past the camera or are too far away from it too see just how the flying is done. That's probably because it's usually obvious I'm recording with my iPhone; but, lately, I've been resorting to old tricks like the one described in VIDEO | Latest imp demon video makes second demonic incursion in broad daylight. Insodoing, I was able to capture the following:



More discoveries like these are likely, now that recent advancements in the procedures for detecting and imaging cloaked demonic entities are finding their way onto the common-man's desktop and mobile devices [see Clandestine surgical mutilation uncovered via demonic-activity video filter].

The significance of the presence of sucker demons cannot be overstated, as clearly demonstrated in Demonic bombs, noggin' crunches and flying demonic snakes for breakfast, which shows images of sucker demons nesting in my temple, mutilating my face in-the-ether in the process, and also in VIDEO | Sucker demons swarm eyes, face to blind, disfigure, which shows sucker demons caked all over my face and head, and even oozing out of my eyes like tears.

A wound from repetitive and constant penetration by radiation-saturated demonic entities (emitted by cloaked matter)

This form of near-constant torment has been ongoing for years [see PICS | Torture by sucker demon], and the injuries are becoming debilitating. In most recent videos (not yet posted), they can be seen swarming not only on my face and head, but on my knees, feet, and hands, where arthritis-like stiffening and pain are significant—and that virtually overnight.

My eyes are also a near-constant target, an expectation since it was announced that I would eventually be blinded by the Voices Demons and their people. Substantial visual impairment took a long time to come, but came soon enough.

Demonic irradiation also captured on video
If the-worm-that-dieth-not wasn't enough, then surely is demonic radiation—a demon's Flowers-in-the-Attic-style approach to gradual—but untraceable, undetectable, unexplainable—poisoning someone slowly to death. Even though untrue, the Voices Demons and their people have made, are making, and vow to continue to publicly attribute the effects of demonic irradiation to HIV disease issues—the phrase used by Voices Demons, which is substituted with AIDS by their people.

NOTE | AIDS is also the verbal command demon people speak aloud in the presence of their targets in order to signal the target's demons to attack with demonic radiation; weapon-launching keywords were first discussed in Sucker demon-possessed shoestrings attack legs on verbal command. A demoniac is always loaded with demonic weapons fashioned from commonly worn items, and those embedded in their skin and bodies; and, not only are they in danger, but they are a danger to anyone in their vicinity, as weapons stored on (or in) a person so afflicted can be launched at any target by a demon or demon person.

Fortunately, the combination of an ultra-sensitive CCD camera sensor in iPhone 5s, a poorly engineered camera app (Dropbox's new Carousel app for iPhone), as well as just the right lighting and distance—and, of course, timing—afforded a relatively good look at a stream of demonic radiation flowing from a wall adjacent to my bed (left to right), as shown in the first scene in the video above.